Chelsea, designed by Jean Nouvel, was born from the desire to overcome the traditional tubular geometry of the door handle. The project privileges the senses: a soft and enveloping shape, modelled on the imprint of the hand, and a warm, pleasant-to-the-touch material. Produced in ceramic, Chelsea becomes a strong, iconic and highly expressive sign, capable of transforming the handle into a distinctive architectural element.
Jean Nouvel rejects even a material like steel from the outset, because he wants the senses to guide his formal definition. He explains that he wants them to be stimulated by a soft, sensual shape, pleasant to the touch, and by a warm, almost soft material. He finally wants it to become a sign thanks to the color.
— 100 11th Avenue, New York 2010
— Jean Nouvel
Chelsea was born with these premises: it is modelled on the imprint of the hand that grasps it, the grip is made in white ceramic or soft black rubber.