Lama L

Gio Ponti
M106B

Lama L is the natural and contemporary evolution of the Lama handle designed by Gio Ponti. The lengthening of the lever accentuates the geometric purity of the design, while at the same time improving ergonomics and the fluidity of the gesture. The low round rosette lightens the whole and reinforces formal clarity, giving the grip a leading role. A door designer handle that reinterprets an archetype with balance and rigor, keeping intact the symbolic strength of the sign in a fully contemporary reading.

FINISHES

  • CR - Bright chrome CR - Bright chrome CR - Bright chrome
  • CO - Satin chrome CO - Satin chrome CO - Satin chrome
  • NP - Matt black NP - Matt black NP - Matt black
  • BP - Matt white BP - Matt white BP - Matt white
  • ZL - SuperGold bright ZL - SuperGold bright ZL - SuperGold bright
  • TS - SuperGold satin TS - SuperGold satin TS - SuperGold satin
  • NL - SuperNickel bright NL - SuperNickel bright NL - SuperNickel bright
  • NS - SuperNickel satin NS - SuperNickel satin NS - SuperNickel satin
  • IS - SuperStainlesssteel satin IS - SuperStainlesssteel satin IS - SuperStainlesssteel satin
  • RS - SuperCopper satin RS - SuperCopper satin RS - SuperCopper satin
  • DS - SuperBronze satin DS - SuperBronze satin DS - SuperBronze satin
  • US - SuperAnthracite satin US - SuperAnthracite satin US - SuperAnthracite satin
Clear

MATERIAL

Brass

TYPOLOGY

Door handles - Round

TECHNICAL DOCUMENTATION

Technical sheets

door handle, window handle, DK
door handle, window handle, DK

COMPLETE COLLECTION

Lama L

COLLEZIONE COMPLETA

Lama L

DOCUMENTAZIONE TECNICA

Technical sheets

door handle, window handle, DK
door handle, window handle, DK

Lama L

Lama L,

Lama, a harmonious handle, made “of linear and coordinated forms” capable of coherently interacting with domestic and non-residential environments.

— Bilia, table lamp, Fontana Arte 1931

In the Lama handle the “classical symbolism” prevails over the object’s “functional” approach.

VEDI BIO Gio Ponti

SEE BIO Gio Ponti

— Grattacielo Pirelli, Milano 1958

To the geometric purity of its form, so slim as to liken it to a blade, there is the counterpoint of the very carefully studied definition of the radii that soften the sharp profile of its slender contours.

— San Francesco al Fopponino, Milano 1964 (courtesy OSC)