1.0Olivarihttps://www.olivari.it/en/Marcello Piacentini | Olivaririch600338<blockquote class="wp-embedded-content" data-secret="QhvJQj8BEH"><a href="https://www.olivari.it/en/designer/piacentini-marcello/">Marcello Piacentini</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.olivari.it/en/designer/piacentini-marcello/embed/#?secret=QhvJQj8BEH" width="600" height="338" title="“Marcello Piacentini” — Olivari" data-secret="QhvJQj8BEH" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://www.olivari.it/wp-content/uploads/2017/04/marcello-piacentini-thumb.jpg600600[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” css=”.vc_custom_1492893202177{margin-top: 80px !important;}”][vc_column width=”2/3″ css=”.vc_custom_1492678947240{padding-right: 10% !important;}”][vc_column_text] Roma, 1881-1960 [/vc_column_text][vc_column_text]The son of a prestigious architect and a student at the Istituto Superiore di Belle Arti in Rome, Piacentini debuts with a neo-renaissance style and wins the competition for the urban planning of the Bergamo centre (1907-1927). After a few works influenced by the Viennese Secession (Cinema Corso, Rome 1915) starting in the 1920s, he becomes the major interpreter of the monumentalism of the Fascist regime, covering several institutional roles at the forefront.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=””][vc_column_inner width=”1/2″][vc_single_image image=”22204″ img_size=”large” qode_css_animation=””][vc_column_text] IUSTITIA 1932 –...